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Swap a location and the character <<<image_2>>> - location <<<image_1>>> - actor <<<image_3>>> - second look

Create a 16:9 monochrome 2D storyboard line-sketch sheet for a winter queen forging and charging a katana through ritual dance; show its attached horizon extension, and do not render bracketed labels. [HEADER] Minimal header, crisp typography, one thin rule; show only: "Crown of Frost" "Forge, gather, swing, extend" [BOARD] Balanced sheet with 11 near-equal 16:9 landscape panels, clear gutters, natural P## order, and a centered incomplete last row. Headers use `P## / camera angle / short beat`; one frozen beat each, count and order above packing. [STYLE] Clean monochrome 2D storyboard line sketch on white paper: sparse single-pass graphite-gray contours, simplified featureless figures, minimal construction marks, essential set geometry. No dense/repeated lines, facial/anatomy/clothing/surface detail, fills, wash, hatching, shading, shadows, ambient occlusion, color, texture, 3D/clay volume, or finished rendering. [REFERENCES] Image A controls only Yuki's gross build, hair mass, crown, and layered feather silhouette. [CONTINUITY] Keep Yuki's crown, braid, slim silhouette and train fixed; no katana P01, right-hand hilt P02, complete katana P03-P11. All ritual contours stay blade-bound; the P10-P11 extension is rooted only screen-right, none behind Yuki. [RULES] Only two header lines and panel headers are visible; no panel text, arrows, icons, insets, duplicates, ghost poses, or detached object-like effect marks. [BEATS] Draw one storyboard panel per visual BEAT: BEATS: P01 / FRONTAL ECU / pressure held: Eye-level frontal ECU, hidden horizon; Yuki's face fills frame, both hands outside and no sword visible. P02 / HAND ECU / form begins: Side hand ECU, no horizon; Yuki's open right palm frames one half-formed hilt and guard, attached contours marking unfinished edges. P03 / BLADE ECU / sword complete: Blade-axis ECU, no horizon, guard near and tip far; Yuki grips one complete katana, residual contours fixed to its new edge. P04 / LOW FRONT 3Q / current caught: Knee-height front three-quarter FS pitched up, low horizon; Yuki holds a deep side bend, katana diagonal low-left, contours converging on its edge. P05 / FRONT 3Q / current folded: Waist-height front three-quarter FS, level horizon; Yuki counter-arches with katana high screen-right above one shoulder, contours layered along the blade. P06 / LOW PROFILE / charge carried: Knee-height profile FS pitched up, low horizon and spires; Yuki holds a deep backbend, katana behind her shoulder line, contours clinging to its arc. P07 / PROFILE FS / power compressed: Waist-height profile FS, level horizon; Yuki plants a weighted side step, torso contracted, katana across her front toward screen-right. P08 / BLADE ECU / edge saturated: Side blade-axis ECU, no horizon, guard near and tip far; one dense unbroken contour skin hugs the entire katana edge. P09 / LOW REAR 3Q / blade loaded: Ground rear three-quarter MLS pitched up, low horizon; Yuki faces right, katana reaches screen-left into near foreground, oversized blade beside the frame edge. P10 / GROUND PROFILE / edge lengthens: Ground profile WS, low horizon and near ice planes converge screen-right; Yuki holds a rightward swing apex, katana near foreground, rooted extension open from its outer edge. P11 / HIGH PROFILE / scale expands: Raised profile EWS pitched down, lake top plane and foreground spire visible; Yuki is tiny lower-left, continuous extension links katana to a vast front filling the right two-thirds beyond the horizon.

**Style:** Realistic, lifestyle, cinematic UGC **Character:** 22-year-old female influencer **Setting:** Bright summer apartment kitchen with natural morning sunlight. ### **Scene 1 (0-2s)** **Shot:** Close-up of a hand opening the refrigerator. Bright colorful Poppi cans are lined up inside. *Camera:* Handheld POV. **Dialogue (smiling):** > "Wait... why do these make me so happy?" *SFX:* Can clinking. ### **Scene 2 (2-5s)** **Shot:** She grabs a Strawberry Lemon can, slowly turning it toward the camera. Condensation glistens on the can. *Macro shot of water droplets.* **Dialogue:** > "Okay... this one's calling my name." ### **Scene 3 (5-7s)** **Shot:** Slow-motion can crack open. Extreme close-up. Fizz erupts. *ASMR audio.* No dialogue. ### **Scene 4 (7-10s)** **Shot:** She takes a sip while standing by a sunny kitchen window. Camera slowly pushes in. She smiles naturally. **Dialogue:** > "Mmm... that's exactly what I wanted." ### **Scene 5 (10-13s)** **Montage** Quick aesthetic shots: * Can on marble countertop * Pouring Poppi into a glass with ice * Orange slice falling in * Holding the can while walking onto a balcony * Close-up of colorful branding No dialogue. Background music lifts. ### **Scene 6 (13-15s)** **Shot:** She cheers the can toward the camera. Natural laugh. **Dialogue:** > "Tiny moment... instantly better." She takes another sip. **End Frame:** Poppi can centered on screen with condensation. --- # 🎥 Camera Style * iPhone 16 Pro cinematic mode * Mostly handheld * Soft morning sunlight * Warm white balance * Slight lens flares * Shallow depth of field * Smooth slow-motion for the can opening * Premium beverage commercial color grading * Authentic influencer energy --- # 🎵 Background Music Light indie-pop with upbeat summer vibes, keeping the drink-opening sound and fizz crisp and prominent.

SCENE CONTEXT A young man carries the sleeping woman into her pink bedroom, lays her down on the bed, covers her with the blanket and switches off the lamp, then sits on the floor at the foot of the bed, rests his head on the mattress edge, and falls asleep there, keeping a respectful distance. ACTIVE REFERENCES <<<image_3>>>: young man, messy light-brown hair, white t-shirt, carrying then floor-sitting posture, tender careful movement. 100% matches the reference. <<<image_1>>>: sleeping young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, pink plaid pajama bottoms, eyes closed, carried then lying tucked in bed. 100% matches the reference. <<<image_2>>>: pink bedroom. 100% matches the reference. Every element and corner is preserved and stays consistent across all shots. LOCATION MAP Pink bedroom, remembered corner by corner from <<<image_2>>> and held identical in every shot: - Wooden door with brass knob and dark wood trim / wardrobe on one side wall. - A large ornate pink-and-white Victorian dollhouse standing on the floor against the wall. - A wide window with sheer white curtains, cool outside light filtering through. - A vanity desk with an upright mirror and a pink desk chair beside the window, a leafy potted plant next to it. - A tall warm floor lamp — the main practical light — near the bed, wall-mounted shelves with small items above it, wood wainscoting along the lower wall. - An ornate white bed frame with pink ruffled bedding and a soft pink pillow, the central anchor of the room. - A woven area rug on a wooden floor, light soft clutter (tissue boxes, papers) scattered naturally. Open floor between the door and the bed is his carrying path; clear floor space at the foot of the bed is where he sits. FIRST FRAME AND SPATIAL BLOCKING The first visible frame matches the attached carry reference exactly: he stands mid-room holding her in a bridal carry, her head resting against his chest and shoulder, eyes closed, pink plaid fabric bundled across his forearms, the white ornate bed and pink bedding soft behind, sheer-curtained window and dollhouse readable in the background. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 3.5s, 7.5s, and 11.0s. Real-time motion, gentle handheld for the carry only. No subtitles, no music. OPTICS Shot 1 (carry): 50° diagonal field of view, standard normal lens character, camera 1.5 to 2 meters, clean medium two-shot holding both faces. Shot 2 (lay down): 56° diagonal field of view, near-normal lens character, camera low at the head of the bed looking down along her body, 1 to 1.3 meters, shallow depth on her settling face. Shot 3 (blanket + lamp): 63° diagonal field of view, slightly-wide lens character, camera 2 meters back at a bedside three-quarter angle, wide enough to hold him, the tucked bed, and the floor lamp in frame. Shot 4 (floor sleep): 63° diagonal field of view, slightly-wide lens character, camera low at the foot of the bed, then a slow crane-up to a high three-quarter looking down the length of the bed. CAMERA Shot 1: gentle handheld follow, slow dolly-in with him toward the bed, subtle vertical bob and weight-shift pulse matching the carry, human motion not digital jitter. Shot 2: separate angle from the head of the bed; slow push-in as he lowers her, settling as her head meets the pillow. Shot 3: static-leaning three-quarter as he draws the blanket up and tucks it, then reaches and clicks off the floor lamp; frame holds through the drop into moody low light, her tucked body still framed. Shot 4: low static at the foot of the bed as he sinks to the floor and lowers his head to the mattress edge, then a smooth crane-up to a high three-quarter — her tucked on the bed, him asleep on the floor below. ACTION TIMING 0.0s to 3.5s: he carries her in a bridal hold, walking slowly toward the bed, her head lolling gently against his chest, pigtail swaying with each step. 3.5s HARD CUT. 3.5s to 7.5s: from the head-of-bed angle he lowers her onto the mattress, her shoulders and head settling into the pillow, hair fanning out, body coming to rest. 7.5s HARD CUT. 7.5s to 11.0s: he draws the pink blanket up over her and tucks the edge along her shoulder with both hands, then reaches to the floor lamp and switches it off; the warm glow dies and the room falls to cool moody window light — she lies exactly as he left her, tucked and unmoved. 11.0s HARD CUT. 11.0s to 15.0s: in the dim room he lowers himself to sit on the floor at the foot of the bed, rests his head sideways on the mattress edge near her feet, settles, breathing slows, and he closes his eyes and falls asleep there — not on the bed, a clear respectful distance kept. PHYSICS Her body carries real dead-weight during the carry — limbs sag, head lolls, pigtail swings freely. As he lowers her, pillow and mattress compress under her head and shoulders, hair sliding and resettling; the pink blanket drapes and folds naturally as it is pulled up and tucked. His footsteps are grounded heel-to-toe with real weight transfer. As he sinks to the floor his weight settles, one arm resting on the mattress, head lowering onto the edge which dips slightly; his eyelids close with a soft final settle. LIGHTING Cinematic low-key interior, moody and restrained, never bright or flat. Primary motivation: the warm floor lamp and a low bedside practical, casting soft warm pools with gentle falloff into deep but detailed shadow, cool bluish light from the sheer-curtained window balancing the warmth for filmic warm-cool contrast. Naturalistic film texture, soft grain, gentle highlight rolloff, faces modeled and readable within the low light, not lit up. Shots 1–3 carry the warm lamp motivation. At the lamp switch (shot 3) the room drops to cool low-key window moonlight — atmospheric, shadows deep, her tucked form and his movement still clearly readable, never a crushed black frame. Shot 4 stays in this cool moody light, his sitting, head-lowering, and closing eyes visible, the bed and floor softly modeled by the window. AUDIO Shot 1: soft footsteps, faint effort breath under her weight, a quiet sleepy sigh from her. Shot 2: soft mattress and pillow settle as she comes to rest. Shot 3: gentle blanket rustle as he tucks her in, a quiet lamp-switch click, room tone shifting. Shot 4: a soft floor settle and faint cloth rustle as he sits and lowers his head, then quiet steady breathing from both. No dialogue, no music, no subtitles. POSITIVE LOCKS First frame matches the attached carry reference exactly. Man matches <<<image_3>>> exactly, woman matches <<<image_1>>> exactly. The bedroom matches <<<image_2>>> exactly and every listed corner — door and wood trim, ornate dollhouse, sheer-curtained window, vanity with mirror and pink chair, floor lamp, shelves, ornate white bed with pink ruffled bedding, woven rug — stays present and consistent across all four shots, with no new or missing furniture. Carrying and laying her down are two separate shots with different angles. Lighting stays cinematic and dim, motivated by the practical lamps, never bright or flat. When the lamp is switched off she remains tucked in the exact pose he left her, unmoved. He does not lie on the bed: he sleeps sitting on the floor at the foot of the bed with his head on the mattress edge, a clear respectful gap kept.

Change the Produkt inside the Box too the one from the refrence, remove the text and overlays

Ultra-realistic full-body character turnaround sheet of a delivery courier wearing a modern green-and-dark-charcoal waterproof uniform. The layout includes front view, back view, left side, right side, 3/4 front, 3/4 back, a clean head-and-shoulders portrait, and a first-person POV looking down at both arms. The courier wears a green baseball cap, green crew-neck shirt, green hooded rain jacket with dark charcoal side panels, reflective silver strip near the hem, black slim-fit pants, and black athletic sneakers. White vertical branding printed on the jacket front panel and horizontal branding across the back. Neutral facial expression, athletic build, realistic skin texture. Studio product photography, seamless light gray background, soft diffused lighting, perfectly centered framing, consistent scale, orthographic reference style, highly detailed fabric texture, waterproof material, realistic stitching, clean folds, accurate proportions, fashion catalog quality, photorealistic, 8K, ultra-sharp, no shadows distracting from the subject, professional apparel design presentation.

Create a cinematic fantasy scene above the clouds at sunrise. A young sky courier rides a small brass-and-wood glider toward a massive floating city suspended by ancient engines and waterfalls falling into open air. 0–4s: Ultra-wide aerial establishing shot. Endless golden clouds stretch beneath the glider as the floating city appears in the distance, lit by warm sunrise. Camera glides smoothly behind and above. 4–9s: Medium tracking shot alongside the courier as wind pulls at their scarf and loose fabric. The glider banks gently between floating stone towers, birds scattering around the frame. 9–13s: Close-up on the courier’s hand adjusting a glowing navigation compass. Reflections of the city flicker across polished brass controls. Slow rack focus from compass to skyline. 13–15s: Hero wide shot. The courier passes through a waterfall curtain into the city gates, sunlight exploding through mist around them. Style: cinematic sky fantasy, warm golden lighting, soft cloud haze, detailed brass textures, realistic cloth movement, sweeping camera motion, magical realism, clean wind audio, distant bells, water mist, and engine vibrations.

Hyper-realistic cinematic action sequence. A futuristic racer blasts through razor-thin ice canyons on a frozen alien moon while an avalanche of collapsing glaciers chases from behind. The camera dives between towering ice walls, skims frozen rivers, circles the vehicle, and switches to aggressive FPV inches above the surface. Ice arches collapse, crystal spikes explode from the ground, frozen bridges shatter, and massive glaciers split apart as the racer jumps crevasses, drifts across solid ice, and squeezes through impossibly narrow gaps before escaping as the entire canyon collapses. Style: IMAX-quality realism, brilliant blue lighting, realistic ice physics, cinematic camera movement, relentless action, crystal-clear visuals.

Use the attached storyboard as the visual reference. Keep the same young adult Indonesian woman throughout the video. Around 20 years old, long straight black hair, natural appearance, wearing an oversized white t-shirt, comfortable loose beige lounge pants, and simple indoor slippers. She is cooking instant fried noodles alone in her cozy modern apartment kitchen. Keep the same hairstyle, outfit, and character identity throughout the video. STYLE Ultra realistic documentary lifestyle. Indonesia 2026. Kodak Portra 400 color grading. Warm cinematic indoor lighting. Natural handheld documentary camera. Subtle film grain. Cozy modern apartment. Realistic cooking physics. Natural facial expressions. Shallow depth of field. Family-friendly content. DURATION 15 Seconds ASPECT RATIO 16:9 AUDIO Authentic home ambience. Boiling water. Gas stove. Cooking sounds. Frying noodles. Kitchen utensils. Soft television ambience. No background music. IMPORTANT All spoken dialogue MUST remain in Indonesian. Display subtitles only while dialogue is spoken. Subtitle format: First line: English Second line: Simplified Chinese White modern sans-serif font with a thin black outline. No subtitles during silent moments. ━━━━━━━━━━━━━━━━━━ SHOT 1 (0–2s) Wide establishing shot. Evening. A clean modern apartment kitchen. The young woman places a pack of instant fried noodles, an egg, chopped scallions, cooking oil, and seasonings on the kitchen counter. She smiles naturally. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 2 (2–4s) Medium shot. Water begins boiling. She gently places the noodles into the pot. Steam rises naturally. She quietly says: "Lapar banget hari ini." English: "I'm really hungry today." Chinese: "今天真的好饿。" ━━━━━━━━━━━━━━━━━━ SHOT 3 (4–6s) Close-up. Garlic and chili sizzle in a frying pan. The aroma fills the kitchen. Steam and oil move naturally. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 4 (6–8s) Medium close-up. She drains the noodles. Adds the noodles into the pan. Pours the seasoning. Cracks one egg. Stir-fries everything smoothly. She smiles and says: "Wanginya enak banget." English: "It smells so good." Chinese: "闻起来真香。" ━━━━━━━━━━━━━━━━━━ SHOT 5 (8–10s) Medium shot. She tosses the noodles several times. The noodles become glossy. Adds chopped scallions and crispy fried shallots. Natural cooking movement. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 6 (10–12s) Close-up. She carefully serves the fried noodles onto a white plate. Places a sunny-side-up egg on top. Adds cucumber slices and tomato. She smiles softly and says: "Siap makan." English: "Time to eat." Chinese: "准备开吃啦。" ━━━━━━━━━━━━━━━━━━ SHOT 7 (12–14s) Medium shot. She sits comfortably in the living room. Watching television while enjoying the first bite of her homemade mie goreng. She smiles happily and says: "Nah... ini yang aku butuhin." English: "This is exactly what I needed." Chinese: "这就是我现在最需要的。" ━━━━━━━━━━━━━━━━━━ SHOT 8 (14–15s) Wide cinematic shot. Night. She finishes dinner. Holding a warm cup of tea while looking through the apartment window at the city lights. Peaceful atmosphere. Fade out. No dialogue. ━━━━━━━━━━━━━━━━━━ NEGATIVE PROMPT No anime. No CGI. No fantasy. No unrealistic cooking. No exaggerated acting. No glamour pose. No fashion runway. No duplicate people. No extra fingers. No blurry face. No incorrect subtitles. No watermark. No logo. No violence. No suggestive content. No revealing clothing. No text except English and Simplified Chinese subtitles during dialogue.

Pixar 3D animated film quality, cinematic multi-cut slow motion sequence, bright harsh midday sunlight, clear blue sky, crisp white daylight, sharp shadows, vivid saturated Pixar colors, color temperature 6500K. Dramatic slow motion cuts mixed with real-time cuts, Christopher Nolan style tension editing, total duration 12 seconds across all cuts. SHOT 1 [0:00 to 0:01] Extreme close-up real-time: a single perfect golden-brown triangular samosa sitting on the railing of a 10th floor balcony, bright midday sun catching every crisp fried edge perfectly, steam still rising from it slightly, a small green chutney dip container beside it. A pigeon lands on the railing one foot away from the samosa. Looks at it. Takes one casual step toward it. The samosa wobbles. Tips. Falls off the edge. SHOT 2 [0:01 to 0:03] Wide shot from directly across the street at the 10th floor level: the samosa tumbling outward from the balcony in slow motion, rotating end over end, golden-brown catching the sunlight on every rotation, chutney container somehow also falling beside it. The building facade behind it is vivid blue paint, bright midday light. The samosa is a tiny golden triangle against the blue building, falling slowly. SHOT 3 [0:03 to 0:04] Ground level wide shot: the busy street below in full midday sun. People walking, an auto rickshaw, a chai vendor, a dog sleeping in a patch of sun, a man reading a newspaper on a bench. Normal day. Nobody aware of anything falling from above. SHOT 4 [0:04 to 0:05] Close-up on the dog sleeping on the ground: one ear twitches. Both ears up. Nose starts working. The dog opens one eye and looks directly upward, pupils tracking something falling. The dog slowly stands up, never looking away from above. SHOT 5 [0:05 to 0:06] Close-up on the chai vendor: his chai spoon stops stirring. He looks up. His eyes go wide. He slowly sets down his spoon. SHOT 6 [0:06 to 0:07] Close-up on the newspaper man: a tiny samosa-shaped shadow appears on his newspaper. He slowly lowers the paper and looks up. His reading glasses catch the sunlight. SHOT 7 [0:07 to 0:09] Wide shot of the full street in slow motion: the samosa visible as a tiny golden dot falling toward the crowded street. Below: the dog now standing, the chai vendor craning his neck, the newspaper man on his feet, an auto rickshaw driver stopped and out of his vehicle, a vegetable vendor shielding her eyes. The entire street watching this one falling samosa in total slow motion. A pigeon flying past at the 5th floor level narrowly dodges the falling samosa, does a double take. SHOT 8 [0:09 to 0:10] Extreme close-up in maximum slow motion: the samosa three feet from the ground, rotating in beautiful slow motion, every crisp fried edge sharp in the midday light, a tiny spray of steam still trailing, the chutney container one foot above it also falling. SHOT 9 [0:10 to 0:11] Ground level close-up: the dogs mouth is open and perfectly positioned. The samosa lands directly in it. The dog closes its mouth. Sits down. Chews twice. Swallows. The chutney container lands perfectly upright on the ground beside the dog with a small click. SHOT 10 [0:11 to 0:12] Wide shot: the entire street watching. Total silence. The dog licks its nose once. Looks at the chutney container. Looks at the crowd. Lies back down in its sunny spot, closes both eyes. The crowd slowly goes back to what they were doing. Overhead on the 10th floor balcony: the pigeon is now sitting exactly where the samosa was, looking down. Bright midday sun, crisp shadows, the entire sequence held together by one samosa and one very prepared dog throughout.

Ultra-realistic underground fight arena packed with cheering crowds. Champion combat robot wins by knockout, sparks pouring from its fists. Instead of stopping, it turns toward the audience and tears through the cage wall. Security shutters slam down. Camera circles the ring during total panic. Final frame: robot standing center ring beneath falling sparks.