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40:23
A cinematic concert gacha reveal in portrait orientation. Phase 1 (2s): Dark
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A cinematic concert gacha reveal in portrait orientation. Phase 1 (2s): Dark arena with scattered blue-white penlight dots. Vertical Japanese text of the character's catchphrase reveals rapidly character-by-character with soft glow. Camera orbits above the audience. Phase 2 (2.5s): Camera swings toward the stage. 8-10 vertical spotlight beams descend from trusses. Steady zoom in reveals spherical footlights along the stage edge. A rainbow-colored ring burst explodes at center with multicolored star-shaped particles scattering outward. Phase 3 (3.5s): Stage reappears with an elaborate gothic arch structure. Penlights multiply into a vibrant rainbow sea below. On the large screen behind the stage, a long-haired character silhouette slowly materializes. Camera creeps closer. The glow intensifies into a massive four-pointed star flash, then instant cut to total black. Phase 4 (3s): A blinding white flash erupts. The stage returns dramatically upgraded — golden fireworks shoot upward from both sides of the arch, backdrop transforms into stained-glass geometric patterns in pink, purple, blue and gold. The character materializes from silhouette to full color on center stage. Crossing laser beams sweep from the sides. Phase 5 (4s): Screen floods white, resolves into a close-up dolly sweeping right-to-left past colorful spotlights with dense rainbow penlights waving below. Camera pulls back to center revealing the full arena — arch stage, stained glass screen, character center, thousands of rainbow penlights. Final frame: character illustration in a card frame with name signature.

A cinematic concert gacha reveal in portrait orientation. Phase 1 (2s): Dark arena with scattered blue-white penlight dots. Vertical Japanese text of the character's catchphrase reveals rapidly character-by-character with soft glow. Camera orbits above the audience. Phase 2 (2.5s): Camera swings toward the stage. 8-10 vertical spotlight beams descend from trusses. Steady zoom in reveals spherical footlights along the stage edge. A rainbow-colored ring burst explodes at center with multicolored star-shaped particles scattering outward. Phase 3 (3.5s): Stage reappears with an elaborate gothic arch structure. Penlights multiply into a vibrant rainbow sea below. On the large screen behind the stage, a long-haired character silhouette slowly materializes. Camera creeps closer. The glow intensifies into a massive four-pointed star flash, then instant cut to total black. Phase 4 (3s): A blinding white flash erupts. The stage returns dramatically upgraded — golden fireworks shoot upward from both sides of the arch, backdrop transforms into stained-glass geometric patterns in pink, purple, blue and gold. The character materializes from silhouette to full color on center stage. Crossing laser beams sweep from the sides. Phase 5 (4s): Screen floods white, resolves into a close-up dolly sweeping right-to-left past colorful spotlights with dense rainbow penlights waving below. Camera pulls back to center revealing the full arena — arch stage, stained glass screen, character center, thousands of rainbow penlights. Final frame: character illustration in a card frame with name signature.

16:9
Create a 15 second, 16:9 photorealistic fashion short with the tone of a
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Create a 15 second, 16:9 photorealistic fashion short with the tone of a playful retro detective film: “fashion crimes” witnessed on a real city street. Keep every face, body, hairstyle and outfit consistent within each character’s shot. Four stylish adult women, all distinct. 0.0–2.2s CALL: extreme macro inserts of a scratched cream public payphone outdoors. A ringed hand lifts a heavy black receiver; the coiled cord flexes naturally. Cut to an intimate crop of a woman’s mouth and jaw as she speaks, then an even tighter detail of the worn glossy handset. 50–85mm macro feel, shallow depth of field, tiny handheld breathing, imperfect focus settling, visible skin texture, chipped paint, fingerprints and dust. 2.2–5.0s SUSPECT 1: hard cut to a narrow old-city pavement. A slim woman with short copper-brown hair walks confidently in a dark tailored suit: cropped double-breasted blazer, crisp pale shirt extending below it, long light tie, relaxed wide-leg trousers, pointed black shoes, structured black handbag. Start medium frontal, then side profile as she passes aged stone and muted red façades. Camera operator walks backward with subtle bob and real parallax. 5.0–7.8s SUSPECT 2: dark-haired woman passes a stone townhouse holding takeaway coffee. She wears deliberate over-layering: black turtleneck, pale shirt, oversized grey layers tied at the waist, dark leather jacket, loose charcoal trousers. Alternate waist-up tracking with a close detail of sleeve, hand and cup. Hair catches a light breeze; the cup shifts naturally with her stride. 7.8–10.5s SUSPECT 3: young woman with sleek dark bob and large silver over-ear headphones strides through a weathered passage. Oversized blue-grey plaid blazer, huge matching scarf across her shoulders, extremely wide dark trousers with deep cuffs, oversized black tote. Low insert on trouser hems and shoes, then chest-up tracking as she adjusts the scarf. Background walls show faded posters, worn paint and real street grime. 10.5–12.7s SUSPECT 4: elegant dark-haired woman in a muted teal satin backless halter top and matching fitted midi skirt walks beside pale stucco and black iron railings. Begin from behind to reveal the open back and narrow neck tie, then cut to a three-quarter frontal medium shot. Satin reflects daylight softly; shoulders and hair move naturally. 12.7–15.0s PAYOFF: rapid editorial cuts reveal all four women separately against a simple police-lineup-style height wall, each holding a small black placard, deadpan and self-assured. Finish on the payphone receiver swinging slightly on its cord after release, settling toward frame edge. No readable text on placards or screens. VISUAL LANGUAGE: authentic street-fashion editorial mixed with retro crime caper photography. Warm cream skin tones, dusty reds, charcoal, muted teal and blue-grey; soft daylight, restrained contrast, slightly faded blacks, subtle halation, fine 35mm grain. 24fps, natural 180° shutter blur. Mostly 35mm handheld street shots with 50–85mm tactile inserts. Real lens breathing, minor exposure adaptation, occasional foreground occlusion and slight rolling-shutter wobble on quick reframes. Avoid gimbal smoothness, warped hands, floating fabric, plastic skin, impossible reflections, duplicated pedestrians, excessive bokeh or synthetic slow motion. MUSIC / SOUND: 15-second instrumental retro crime-caper groove around 108 BPM: brushed drums, dry upright bass, muted electric guitar, light vibraphone and one playful brass accent. Layer payphone clicks, receiver clack, cord creak, footsteps, fabric rustle and distant city ambience. No vocals; end with a clean receiver click.

Create a 15 second, 16:9 photorealistic fashion short with the tone of a playful retro detective film: “fashion crimes” witnessed on a real city street. Keep every face, body, hairstyle and outfit consistent within each character’s shot. Four stylish adult women, all distinct. 0.0–2.2s CALL: extreme macro inserts of a scratched cream public payphone outdoors. A ringed hand lifts a heavy black receiver; the coiled cord flexes naturally. Cut to an intimate crop of a woman’s mouth and jaw as she speaks, then an even tighter detail of the worn glossy handset. 50–85mm macro feel, shallow depth of field, tiny handheld breathing, imperfect focus settling, visible skin texture, chipped paint, fingerprints and dust. 2.2–5.0s SUSPECT 1: hard cut to a narrow old-city pavement. A slim woman with short copper-brown hair walks confidently in a dark tailored suit: cropped double-breasted blazer, crisp pale shirt extending below it, long light tie, relaxed wide-leg trousers, pointed black shoes, structured black handbag. Start medium frontal, then side profile as she passes aged stone and muted red façades. Camera operator walks backward with subtle bob and real parallax. 5.0–7.8s SUSPECT 2: dark-haired woman passes a stone townhouse holding takeaway coffee. She wears deliberate over-layering: black turtleneck, pale shirt, oversized grey layers tied at the waist, dark leather jacket, loose charcoal trousers. Alternate waist-up tracking with a close detail of sleeve, hand and cup. Hair catches a light breeze; the cup shifts naturally with her stride. 7.8–10.5s SUSPECT 3: young woman with sleek dark bob and large silver over-ear headphones strides through a weathered passage. Oversized blue-grey plaid blazer, huge matching scarf across her shoulders, extremely wide dark trousers with deep cuffs, oversized black tote. Low insert on trouser hems and shoes, then chest-up tracking as she adjusts the scarf. Background walls show faded posters, worn paint and real street grime. 10.5–12.7s SUSPECT 4: elegant dark-haired woman in a muted teal satin backless halter top and matching fitted midi skirt walks beside pale stucco and black iron railings. Begin from behind to reveal the open back and narrow neck tie, then cut to a three-quarter frontal medium shot. Satin reflects daylight softly; shoulders and hair move naturally. 12.7–15.0s PAYOFF: rapid editorial cuts reveal all four women separately against a simple police-lineup-style height wall, each holding a small black placard, deadpan and self-assured. Finish on the payphone receiver swinging slightly on its cord after release, settling toward frame edge. No readable text on placards or screens. VISUAL LANGUAGE: authentic street-fashion editorial mixed with retro crime caper photography. Warm cream skin tones, dusty reds, charcoal, muted teal and blue-grey; soft daylight, restrained contrast, slightly faded blacks, subtle halation, fine 35mm grain. 24fps, natural 180° shutter blur. Mostly 35mm handheld street shots with 50–85mm tactile inserts. Real lens breathing, minor exposure adaptation, occasional foreground occlusion and slight rolling-shutter wobble on quick reframes. Avoid gimbal smoothness, warped hands, floating fabric, plastic skin, impossible reflections, duplicated pedestrians, excessive bokeh or synthetic slow motion. MUSIC / SOUND: 15-second instrumental retro crime-caper groove around 108 BPM: brushed drums, dry upright bass, muted electric guitar, light vibraphone and one playful brass accent. Layer payphone clicks, receiver clack, cord creak, footsteps, fabric rustle and distant city ambience. No vocals; end with a clean receiver click.

16:9
s cinema, urban comedy crime vibe, realistic smoke, detailed car interior,
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1990年代美国黑帮电影质感,真实胶片颗粒,电影级运镜,近景为主,轻微手持感,暖色街灯与自然夜色混合照明,真实阴影,低饱和复古色调,厚重低频环境音,80年代老派rap在车内播放,轻微混响,真实车内声场。 0.0–2.0秒 夜晚公园边,一辆停着的老式美式轿车内,近距离特写一个瘦削的黑人美国男人,金牙,红色帮派头巾,粗金链,脸上和身上有大量纹身,表情又搞笑又很酷又有点吓人。他靠在驾驶座,慢慢抽烟,直视镜头,车里播放复古80s hiphop,低音厚实,氛围真实。 2.0–4.0秒 一个小男孩滑着滑板进入画面,在车窗旁做一个小跳动作,落地后很酷地看着男人。镜头保持电影感中近景,男人侧头看他,嘴角带笑。 4.0–6.0秒 男人低笑,英文台词:“Watch this, little homie.” 他说完按下车内一个按钮,镜头快速切到车身三分之二侧面。 6.0–8.0秒 整辆车突然像液压跳车一样猛地弹起约3米高,四个轮子离地,动作夸张但物理表现真实,随后重重落回四轮着地,车身震动,悬挂回弹,烟雾轻晃,音乐不停。 8.0–10.0秒 男孩震惊地后退,看着男人。男人大笑,继续抽烟,英文台词:“That damn skateboard can never do that, man.” 男孩转身跑开,男人靠在车里继续笑,镜头停在他得意又荒唐的表情上,90年代黑帮喜剧电影收尾感。 风格附加词: 90s cinema, urban comedy crime vibe, realistic smoke, detailed car interior, authentic park background, cinematic close-up, film grain, dramatic but funny, realistic body motion, perfect timing, believable physics, expressive face, strong bass audio atmosphere

1990年代美国黑帮电影质感,真实胶片颗粒,电影级运镜,近景为主,轻微手持感,暖色街灯与自然夜色混合照明,真实阴影,低饱和复古色调,厚重低频环境音,80年代老派rap在车内播放,轻微混响,真实车内声场。 0.0–2.0秒 夜晚公园边,一辆停着的老式美式轿车内,近距离特写一个瘦削的黑人美国男人,金牙,红色帮派头巾,粗金链,脸上和身上有大量纹身,表情又搞笑又很酷又有点吓人。他靠在驾驶座,慢慢抽烟,直视镜头,车里播放复古80s hiphop,低音厚实,氛围真实。 2.0–4.0秒 一个小男孩滑着滑板进入画面,在车窗旁做一个小跳动作,落地后很酷地看着男人。镜头保持电影感中近景,男人侧头看他,嘴角带笑。 4.0–6.0秒 男人低笑,英文台词:“Watch this, little homie.” 他说完按下车内一个按钮,镜头快速切到车身三分之二侧面。 6.0–8.0秒 整辆车突然像液压跳车一样猛地弹起约3米高,四个轮子离地,动作夸张但物理表现真实,随后重重落回四轮着地,车身震动,悬挂回弹,烟雾轻晃,音乐不停。 8.0–10.0秒 男孩震惊地后退,看着男人。男人大笑,继续抽烟,英文台词:“That damn skateboard can never do that, man.” 男孩转身跑开,男人靠在车里继续笑,镜头停在他得意又荒唐的表情上,90年代黑帮喜剧电影收尾感。 风格附加词: 90s cinema, urban comedy crime vibe, realistic smoke, detailed car interior, authentic park background, cinematic close-up, film grain, dramatic but funny, realistic body motion, perfect timing, believable physics, expressive face, strong bass audio atmosphere

16:9
Seedance Creator Video 331
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90年代の日本アニメ風 伝説の剣を抜くためにやってきたキャラクター 大見得を切るセリフを話しながら思いっきり抜くために叫びながら踏ん張るが オナラをしてしまい情けない時間が流れる カメラもすごい演出 風が吹き荒れる そしてオナラをする すると 無音になり一瞬世界が止まり 剣が抜けてやったーと言う

90年代の日本アニメ風 伝説の剣を抜くためにやってきたキャラクター 大見得を切るセリフを話しながら思いっきり抜くために叫びながら踏ん張るが オナラをしてしまい情けない時間が流れる カメラもすごい演出 風が吹き荒れる そしてオナラをする すると 無音になり一瞬世界が止まり 剣が抜けてやったーと言う

16:9
0:00 0:02] Title Card: Clean minimal text animation: DESERT REVERIE fades in
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[0:00–0:02] Title Card: Clean minimal text animation: DESERT REVERIE fades in centered, thin serif white font, subtle letter spacing expand animation, over a blurred desert background (soft bokeh of red mesas and blue sky). Text holds for 1.5s then fades out smoothly. [0:02–0:05] Establishing Shot: Wide static shot, Monument Valley desert at midday. A vintage teal 1960s muscle car sits parked on a dirt road, red sandstone mesas in the background, clear blue sky. A man in a fringed jacket and cowboy boots reclines on the hood, hands behind his head, completely relaxed. Heat haze shimmers faintly above the ground. [0:05–0:09] Rising Action: Low angle GoPro shot from near the front bumper, slowly tilting upward. A powerful brown horse leaps into frame from the left, mid air, legs tucked, mane and tail whipping with motion. Camera holds steady as the horse arcs gracefully over the car and the reclining man, muscles rippling naturally, correct anatomy maintained (four legs, proper joint bends, no warping). [0:09–0:13] Landing & Dust: Camera transitions to a slow dolly in from the front of the car. Horse lands just behind the vehicle, front hooves touching down first, kicking up a dramatic cascade of dust and sand in realistic particle simulation. Man on the hood remains still and unfazed, jacket fringe fluttering slightly in the wind. Golden desert light, hard natural shadows. [0:13–0:15] Final Hold: Slow motion ramp (0.5x) on the settling dust cloud, mesas sharp in the background, sky calm and clear. Gentle fade to black. Technical requirements: Horse: exactly 4 legs, correct joint articulation, no limb warping, no extra hooves. Man: correct hand/finger anatomy (5 fingers each), no facial morphing. Car body lines and wheels remain stable, no distortion. Consistent dust/sand particle physics, no flicker artifacts. No watermarks, logos, or text overlays except the title card. 16:9 aspect ratio throughout, no letterboxing Color grading: warm desert tones, teal car accent, natural sky gradient, cinematic contrast.

[0:00–0:02] Title Card: Clean minimal text animation: DESERT REVERIE fades in centered, thin serif white font, subtle letter spacing expand animation, over a blurred desert background (soft bokeh of red mesas and blue sky). Text holds for 1.5s then fades out smoothly. [0:02–0:05] Establishing Shot: Wide static shot, Monument Valley desert at midday. A vintage teal 1960s muscle car sits parked on a dirt road, red sandstone mesas in the background, clear blue sky. A man in a fringed jacket and cowboy boots reclines on the hood, hands behind his head, completely relaxed. Heat haze shimmers faintly above the ground. [0:05–0:09] Rising Action: Low angle GoPro shot from near the front bumper, slowly tilting upward. A powerful brown horse leaps into frame from the left, mid air, legs tucked, mane and tail whipping with motion. Camera holds steady as the horse arcs gracefully over the car and the reclining man, muscles rippling naturally, correct anatomy maintained (four legs, proper joint bends, no warping). [0:09–0:13] Landing & Dust: Camera transitions to a slow dolly in from the front of the car. Horse lands just behind the vehicle, front hooves touching down first, kicking up a dramatic cascade of dust and sand in realistic particle simulation. Man on the hood remains still and unfazed, jacket fringe fluttering slightly in the wind. Golden desert light, hard natural shadows. [0:13–0:15] Final Hold: Slow motion ramp (0.5x) on the settling dust cloud, mesas sharp in the background, sky calm and clear. Gentle fade to black. Technical requirements: Horse: exactly 4 legs, correct joint articulation, no limb warping, no extra hooves. Man: correct hand/finger anatomy (5 fingers each), no facial morphing. Car body lines and wheels remain stable, no distortion. Consistent dust/sand particle physics, no flicker artifacts. No watermarks, logos, or text overlays except the title card. 16:9 aspect ratio throughout, no letterboxing Color grading: warm desert tones, teal car accent, natural sky gradient, cinematic contrast.

16:9
EXPEDITION: Independent storm chaser documenting the arrival of a supercell
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𝗘𝗫𝗣𝗘𝗗𝗜𝗧𝗜𝗢𝗡: Independent storm chaser documenting the arrival of a supercell thunderstorm. 𝗦𝗧𝗢𝗥𝗠 𝗖𝗛𝗔𝗦𝗘𝗥: Female, 35. Weatherproof jacket. Radar tablet. Tripod. GoPro mounted on dashboard. 𝗖𝗛𝗔𝗦𝗘 𝗧𝗜𝗠𝗘: 4:30 PM. Dark storm clouds approaching. Rapidly changing light conditions. 𝗟𝗢𝗖𝗔𝗧𝗜𝗢𝗡: Open prairie highway. Large wheat fields. Power lines. Abandoned barns. No nearby towns. 𝗙𝗜𝗟𝗠𝗜𝗡𝗚 𝗦𝗧𝗬𝗟𝗘: Combination of dashboard camera and handheld roadside footage. Strong wind movement. Occasional raindrops on lens. Natural exposure shifts during lightning. 𝗖𝗛𝗔𝗦𝗘 𝗣𝗥𝗢𝗚𝗥𝗘𝗦𝗦𝗜𝗢𝗡: • Storm spotted on horizon • Radar confirms rotation • Wind intensity rapidly increases • Heavy rain begins • Retreat to safety while continuing observations 𝗔𝗨𝗗𝗜𝗢: Thunder. Wind. Rain. Vehicle engine. Weather radio. 𝗥𝗘𝗔𝗟𝗜𝗦𝗠 𝗦𝗧𝗔𝗡𝗗𝗔𝗥𝗗: Scientific observation over sensationalism. No impossible tornado behavior. Natural human reactions only.

𝗘𝗫𝗣𝗘𝗗𝗜𝗧𝗜𝗢𝗡: Independent storm chaser documenting the arrival of a supercell thunderstorm. 𝗦𝗧𝗢𝗥𝗠 𝗖𝗛𝗔𝗦𝗘𝗥: Female, 35. Weatherproof jacket. Radar tablet. Tripod. GoPro mounted on dashboard. 𝗖𝗛𝗔𝗦𝗘 𝗧𝗜𝗠𝗘: 4:30 PM. Dark storm clouds approaching. Rapidly changing light conditions. 𝗟𝗢𝗖𝗔𝗧𝗜𝗢𝗡: Open prairie highway. Large wheat fields. Power lines. Abandoned barns. No nearby towns. 𝗙𝗜𝗟𝗠𝗜𝗡𝗚 𝗦𝗧𝗬𝗟𝗘: Combination of dashboard camera and handheld roadside footage. Strong wind movement. Occasional raindrops on lens. Natural exposure shifts during lightning. 𝗖𝗛𝗔𝗦𝗘 𝗣𝗥𝗢𝗚𝗥𝗘𝗦𝗦𝗜𝗢𝗡: • Storm spotted on horizon • Radar confirms rotation • Wind intensity rapidly increases • Heavy rain begins • Retreat to safety while continuing observations 𝗔𝗨𝗗𝗜𝗢: Thunder. Wind. Rain. Vehicle engine. Weather radio. 𝗥𝗘𝗔𝗟𝗜𝗦𝗠 𝗦𝗧𝗔𝗡𝗗𝗔𝗥𝗗: Scientific observation over sensationalism. No impossible tornado behavior. Natural human reactions only.

16:9
slice-of-life, 15 seconds. @ image1 = Main Subject. Preserve exact face,
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slice-of-life, 15 seconds. @ image1 = Main Subject. Preserve exact face, hairstyle, features, skin tone, body proportions. OUTFIT: Oversized olive sleeveless linen shirt loosely tucked into wide-leg dusty burgundy trousers, flat rubber sandals, small gold hoop earrings. Shirt damp/sweat-stained at collar, underarms, chest. Hair loosely down, natural waves, strands stuck to face/neck. Unglamorous. LOCATION: Authentic Southeast Asian rural village (Vietnam/Thailand/Philippines style). Dirt paths. Wooden stilt houses with thatch/tin roofs. Banana and palm trees. Bamboo fences. Overgrown grass. Clay water jars. Hanging dried chilies/herbs. Free-roaming chickens. Morning cooking smoke. Dense tropical vegetation. Zero modern elements. CAMERA: Late-2000s flip cam vlog. Heavy handheld shake. Imperfect reframing. Off-center/cropped framing. Aggressive autofocus hunting. Exposure swings. Rolling shutter. Motion blur. Warm faded muddy tones. Blown highlights. Crushed blacks. Digital noise/compression artifacts. 00:00–00:02 — Bamboo fence path. Arm's-length self-shot, tired smile, casual talk to lens, weeds brushing past. 00:02–00:04 — Stilt house courtyard, handheld from behind. Stray dog trots alongside. Clay jars, low smoke drift. 00:04–00:06 — Stone/clay water basin. Crouches, splashes face/neck, exhales, soft laugh. Focus hunts. 00:06–00:08 — Banana tree, low handheld. Hand-feeds stray dog. Camera breathes between face/dog. 00:08–00:10 — Village path, side tracking. Wipes sweat, glances around. Chicken crosses ahead. Late reframe. 00:10–00:12 — Shaded stilt house exterior, stacked clay pots. Sits on wooden step, sips tin cup. Damp shirt. Elder woman moves background. Breeze lifts hair. 00:12–00:15 — Dirt path near palm tree. Self-shot, tired laugh, casual talk, small wave. Cuts abruptly. No posing. No glamour. No stabilization. No modern grading. No music. AUDIO: Morning birds, roosters/chickens, distant chatter, dog, water, fire crackle, footsteps, leaves, wind, ceramic sounds. 16:9.

slice-of-life, 15 seconds. @ image1 = Main Subject. Preserve exact face, hairstyle, features, skin tone, body proportions. OUTFIT: Oversized olive sleeveless linen shirt loosely tucked into wide-leg dusty burgundy trousers, flat rubber sandals, small gold hoop earrings. Shirt damp/sweat-stained at collar, underarms, chest. Hair loosely down, natural waves, strands stuck to face/neck. Unglamorous. LOCATION: Authentic Southeast Asian rural village (Vietnam/Thailand/Philippines style). Dirt paths. Wooden stilt houses with thatch/tin roofs. Banana and palm trees. Bamboo fences. Overgrown grass. Clay water jars. Hanging dried chilies/herbs. Free-roaming chickens. Morning cooking smoke. Dense tropical vegetation. Zero modern elements. CAMERA: Late-2000s flip cam vlog. Heavy handheld shake. Imperfect reframing. Off-center/cropped framing. Aggressive autofocus hunting. Exposure swings. Rolling shutter. Motion blur. Warm faded muddy tones. Blown highlights. Crushed blacks. Digital noise/compression artifacts. 00:00–00:02 — Bamboo fence path. Arm's-length self-shot, tired smile, casual talk to lens, weeds brushing past. 00:02–00:04 — Stilt house courtyard, handheld from behind. Stray dog trots alongside. Clay jars, low smoke drift. 00:04–00:06 — Stone/clay water basin. Crouches, splashes face/neck, exhales, soft laugh. Focus hunts. 00:06–00:08 — Banana tree, low handheld. Hand-feeds stray dog. Camera breathes between face/dog. 00:08–00:10 — Village path, side tracking. Wipes sweat, glances around. Chicken crosses ahead. Late reframe. 00:10–00:12 — Shaded stilt house exterior, stacked clay pots. Sits on wooden step, sips tin cup. Damp shirt. Elder woman moves background. Breeze lifts hair. 00:12–00:15 — Dirt path near palm tree. Self-shot, tired laugh, casual talk, small wave. Cuts abruptly. No posing. No glamour. No stabilization. No modern grading. No music. AUDIO: Morning birds, roosters/chickens, distant chatter, dog, water, fire crackle, footsteps, leaves, wind, ceramic sounds. 16:9.

16:9
Pixar-inspired futuristic dessert scientist chef character sheet,
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Pixar-inspired futuristic dessert scientist chef character sheet, neon-accented uniform, robotic dessert tools, expressive emotions, dynamic dessert-making poses, front side back views, polished 3D animated style, clean white background, 16:9

Pixar-inspired futuristic dessert scientist chef character sheet, neon-accented uniform, robotic dessert tools, expressive emotions, dynamic dessert-making poses, front side back views, polished 3D animated style, clean white background, 16:9

540:613
A young woman studies alone at a kitchen table late at night, pushing #599187
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A young woman studies alone at a kitchen table late at night, pushing through fatigue, until exhaustion hits her all at once and her head drops hard onto the book; a cat resting beside her reacts with a startled, confused look. ACTIVE REFERENCES <<<image_1>>>: young woman, low pigtails, beige t-shirt with brown long sleeves, sitting posture. 100% matches the reference. <<<image_2>>>: cluttered night kitchen, round wooden table, candle and small glass on the table. 100% matches the reference. <<<image_4>>>: open textbook, pink pen. <<<image_3>>>: fluffy white long-haired cat, adult, calm resting posture. 100% matches the reference. LOCATION MAP Camera faces the round table head-on at tabletop height. Foreground: open textbook and pink pen, screen-center-lower. Midground: the woman's forearms and lowered face, screen-center. а The cat lies along the table's right edge, parallel to the table line, close enough that her falling head lands just in front of it. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains the woman leaning over the book and the cat resting beside her. No empty establishing frame. Woman: x 50%, y 60%, torso bent forward, both forearms on the table, gaze down at the page. Cat: x 78%, y 55%, lying flat, head raised and alert, positioned close enough to react to the table's impact. FORMAT MODE Controlled three-segment sequence with HARD CUTs at 8.0s and 11.0s. Real-time motion, with a single fast, hard-hitting impact at the drop. No subtitles, no music. OPTICS 50mm lens character for segments 1 and 2, camera 0.4 to 0.6 meters from the tabletop, low creeping angle skimming just above the table surface. 85mm lens character for segment 3, tight close-up isolating only the cat's face. CAMERA Segment 1: slow creeping dolly-in along the tabletop toward the book, height locked at table level, no vertical drift. Segment 2: static locked-off frame, camera does not move, but holds through the impact with a sharp micro-shake on contact. Segment 3: static locked-off close-up on the cat's face, camera does not move. ACTION TIMING 0.0s to 8.0s: she flips a page with her left hand, pink pen tapping lightly against the paper in her right hand, brow furrowed, eyes moving line by line, visibly fighting fatigue with slow blinks. 8.0s HARD CUT. 8.0s to 11.0s: without warning her head drops forward hard and fast, cheek and forehead striking the open page in one abrupt, heavy motion; the book jolts under the impact, a loose page flips from the force, the pink pen slips and clatters onto the table. 11.0s HARD CUT. 11.0s to 15.0s: close on the cat's face, its head snapping toward the sound, ears flattening then perking back up, pupils widening, head tilting slightly to one side in open confusion at what just happened. PHYSICS Page has visible weight and slight resistance when turned. The head drop is fast and heavy, not slow or drifting: real gravity and mass, an audible-feeling impact, the table surface absorbing a visible jolt, hair whipping forward and scattering across the page on contact. The pen skids and rolls slightly from the impact before settling. Cat's ear and neck movement is sharp and reactive, a genuine startle response with a brief overshoot before settling into a tilted, confused hold. LIGHTING Primary light source: warm candle flame and a small lamp glow, both practical and visible in frame. Light direction: low, from candle height, casting soft warm highlights across the page and her lowered face. Camera stays on the same side as the light; no backlight silhouette. Segment 3 keeps the same warm key light directly on the cat's face, eyes catching a small warm glint. AUDIO Soft pencil-on-paper scratch and faint page-turn rustle through segment 1; a sudden sharp thud of head against book at the drop, the pen's clatter, a startled cat chirp-meow immediately after. No dialogue, no music, no subtitles.

A young woman studies alone at a kitchen table late at night, pushing through fatigue, until exhaustion hits her all at once and her head drops hard onto the book; a cat resting beside her reacts with a startled, confused look. ACTIVE REFERENCES <<<image_1>>>: young woman, low pigtails, beige t-shirt with brown long sleeves, sitting posture. 100% matches the reference. <<<image_2>>>: cluttered night kitchen, round wooden table, candle and small glass on the table. 100% matches the reference. <<<image_4>>>: open textbook, pink pen. <<<image_3>>>: fluffy white long-haired cat, adult, calm resting posture. 100% matches the reference. LOCATION MAP Camera faces the round table head-on at tabletop height. Foreground: open textbook and pink pen, screen-center-lower. Midground: the woman's forearms and lowered face, screen-center. а The cat lies along the table's right edge, parallel to the table line, close enough that her falling head lands just in front of it. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains the woman leaning over the book and the cat resting beside her. No empty establishing frame. Woman: x 50%, y 60%, torso bent forward, both forearms on the table, gaze down at the page. Cat: x 78%, y 55%, lying flat, head raised and alert, positioned close enough to react to the table's impact. FORMAT MODE Controlled three-segment sequence with HARD CUTs at 8.0s and 11.0s. Real-time motion, with a single fast, hard-hitting impact at the drop. No subtitles, no music. OPTICS 50mm lens character for segments 1 and 2, camera 0.4 to 0.6 meters from the tabletop, low creeping angle skimming just above the table surface. 85mm lens character for segment 3, tight close-up isolating only the cat's face. CAMERA Segment 1: slow creeping dolly-in along the tabletop toward the book, height locked at table level, no vertical drift. Segment 2: static locked-off frame, camera does not move, but holds through the impact with a sharp micro-shake on contact. Segment 3: static locked-off close-up on the cat's face, camera does not move. ACTION TIMING 0.0s to 8.0s: she flips a page with her left hand, pink pen tapping lightly against the paper in her right hand, brow furrowed, eyes moving line by line, visibly fighting fatigue with slow blinks. 8.0s HARD CUT. 8.0s to 11.0s: without warning her head drops forward hard and fast, cheek and forehead striking the open page in one abrupt, heavy motion; the book jolts under the impact, a loose page flips from the force, the pink pen slips and clatters onto the table. 11.0s HARD CUT. 11.0s to 15.0s: close on the cat's face, its head snapping toward the sound, ears flattening then perking back up, pupils widening, head tilting slightly to one side in open confusion at what just happened. PHYSICS Page has visible weight and slight resistance when turned. The head drop is fast and heavy, not slow or drifting: real gravity and mass, an audible-feeling impact, the table surface absorbing a visible jolt, hair whipping forward and scattering across the page on contact. The pen skids and rolls slightly from the impact before settling. Cat's ear and neck movement is sharp and reactive, a genuine startle response with a brief overshoot before settling into a tilted, confused hold. LIGHTING Primary light source: warm candle flame and a small lamp glow, both practical and visible in frame. Light direction: low, from candle height, casting soft warm highlights across the page and her lowered face. Camera stays on the same side as the light; no backlight silhouette. Segment 3 keeps the same warm key light directly on the cat's face, eyes catching a small warm glint. AUDIO Soft pencil-on-paper scratch and faint page-turn rustle through segment 1; a sudden sharp thud of head against book at the drop, the pen's clatter, a startled cat chirp-meow immediately after. No dialogue, no music, no subtitles.

16:9
Create a 15 second cinematic fashion transformation reel in 16:9 landscape.
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Create a 15 second cinematic fashion transformation reel in 16:9 landscape. Use one fictional stylish young man throughout, with warm medium skin, short dark hair, a neatly trimmed beard, subtle forearm tattoos, a gold bracelet, a fine chain, and white sneakers. Preserve the exact same face, body proportions, hairstyle, beard, tattoo placement, jewelry, and natural skin texture in every shot.Set the scene in a bright modern living room with white curved lounge chairs, a cream patterned rug, sheer white curtains, a small round coffee table with books and ceramic objects, a black pendant lamp, and a few dark dining chairs in the rear. Late afternoon sunlight enters from camera left and creates sharp geometric patches across the rug and furniture. Keep all furniture and shadows perfectly fixed during every transformation. Film from a locked ceiling mounted camera looking steeply downward with an 18 millimeter ultra wide lens and realistic barrel distortion. The model stands directly beneath the lens in the center of frame and looks upward. Keep deep focus, crisp room detail, realistic exposure, mild lens softness at the corners, subtle sensor grain, natural motion blur, and believable hand anatomy. The camera never moves.From 0.0 to 2.2 seconds, create a rapid sequence of seamless match cuts. The model repeatedly reaches one open palm or loose fist toward the lens until his hand nearly fills the frame. Every half beat, the hand briefly hides his face and reveals a different outfit while his body position remains continuous. Cycle quickly through a burgundy football jersey with olive cargo pants, a cobalt sports jersey with faded loose jeans, a gray open hoodie over a white vest with dark trousers and a blue cap, a slate gray long sleeve wrap shirt with wide black trousers, a navy knit top with loose gray pants, and a clean black shirt with black trousers. Use genuine hand blur and tiny timing imperfections so the transitions feel physically performed rather than digitally morphed.From 2.2 to 12.5 seconds, slow the rhythm and present each outfit for about two beats. First show the burgundy jersey with a camouflage cap and dark sunglasses as he adjusts the glasses and turns his head. Cut to the gray hoodie look as he lightly bounces, folds his arms, and touches the brim of the blue cap. Cut to the slate gray wrap shirt as he clasps his hands and glances to the side. Cut to the cobalt jersey as he crosses his arms and gives a restrained smile. Cut to the navy knit outfit as he looks down and adjusts the waistband. Cut to the all black outfit as he smooths the shirt and takes one small step in place. Return briefly to the burgundy jersey, then the cobalt jersey, then the slate gray shirt, ending on the gray hoodie look with a confident cap tip. Every cut must happen on a strong musical beat with identical floor position and stable room geometry.From 12.5 to 15.0 seconds, freeze on the final cap tip, gradually darken the room while retaining faint detail, and leave a clean empty central area for a logo to be added later. Do not generate any letters, captions, watermarks, or brand marks. Music should be an energetic fashion edit instrumental at about 144 BPM with punchy kick drums, dry claps, tight hi hats, warm bass, and a polished modern streetwear mood. No vocals. Synchronize the opening hand changes to half beats and the later outfit cuts to every second beat. Add very soft cloth movement, shoe taps, bracelet movement, and room tone beneath the music.The result must look professionally filmed. Avoid face changes, body morphing, extra fingers, warped clothing, floating accessories, shifting furniture, changing sunlight, fake skin, excessive sharpening, artificial slow motion, or random camera movement.

Create a 15 second cinematic fashion transformation reel in 16:9 landscape. Use one fictional stylish young man throughout, with warm medium skin, short dark hair, a neatly trimmed beard, subtle forearm tattoos, a gold bracelet, a fine chain, and white sneakers. Preserve the exact same face, body proportions, hairstyle, beard, tattoo placement, jewelry, and natural skin texture in every shot.Set the scene in a bright modern living room with white curved lounge chairs, a cream patterned rug, sheer white curtains, a small round coffee table with books and ceramic objects, a black pendant lamp, and a few dark dining chairs in the rear. Late afternoon sunlight enters from camera left and creates sharp geometric patches across the rug and furniture. Keep all furniture and shadows perfectly fixed during every transformation. Film from a locked ceiling mounted camera looking steeply downward with an 18 millimeter ultra wide lens and realistic barrel distortion. The model stands directly beneath the lens in the center of frame and looks upward. Keep deep focus, crisp room detail, realistic exposure, mild lens softness at the corners, subtle sensor grain, natural motion blur, and believable hand anatomy. The camera never moves.From 0.0 to 2.2 seconds, create a rapid sequence of seamless match cuts. The model repeatedly reaches one open palm or loose fist toward the lens until his hand nearly fills the frame. Every half beat, the hand briefly hides his face and reveals a different outfit while his body position remains continuous. Cycle quickly through a burgundy football jersey with olive cargo pants, a cobalt sports jersey with faded loose jeans, a gray open hoodie over a white vest with dark trousers and a blue cap, a slate gray long sleeve wrap shirt with wide black trousers, a navy knit top with loose gray pants, and a clean black shirt with black trousers. Use genuine hand blur and tiny timing imperfections so the transitions feel physically performed rather than digitally morphed.From 2.2 to 12.5 seconds, slow the rhythm and present each outfit for about two beats. First show the burgundy jersey with a camouflage cap and dark sunglasses as he adjusts the glasses and turns his head. Cut to the gray hoodie look as he lightly bounces, folds his arms, and touches the brim of the blue cap. Cut to the slate gray wrap shirt as he clasps his hands and glances to the side. Cut to the cobalt jersey as he crosses his arms and gives a restrained smile. Cut to the navy knit outfit as he looks down and adjusts the waistband. Cut to the all black outfit as he smooths the shirt and takes one small step in place. Return briefly to the burgundy jersey, then the cobalt jersey, then the slate gray shirt, ending on the gray hoodie look with a confident cap tip. Every cut must happen on a strong musical beat with identical floor position and stable room geometry.From 12.5 to 15.0 seconds, freeze on the final cap tip, gradually darken the room while retaining faint detail, and leave a clean empty central area for a logo to be added later. Do not generate any letters, captions, watermarks, or brand marks. Music should be an energetic fashion edit instrumental at about 144 BPM with punchy kick drums, dry claps, tight hi hats, warm bass, and a polished modern streetwear mood. No vocals. Synchronize the opening hand changes to half beats and the later outfit cuts to every second beat. Add very soft cloth movement, shoe taps, bracelet movement, and room tone beneath the music.The result must look professionally filmed. Avoid face changes, body morphing, extra fingers, warped clothing, floating accessories, shifting furniture, changing sunlight, fake skin, excessive sharpening, artificial slow motion, or random camera movement.

16:9
Create a 15-second photorealistic Korean Butter Tteok commercial using
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Create a 15-second photorealistic Korean Butter Tteok commercial using @image1 only as a visual reference for the Korean female model, Butter Tteok package, ingredients, cooking process, food styling, kitchen, restaurant, and scene progression. Convert it into continuous full-screen live-action footage. Do not reproduce the storyboard grid, panel labels, timecodes, headings, Chinese captions, borders, or graphic annotations. Open with an extreme macro shot of glossy Butter Tteok bubbling gently in a pan. A golden butter cube begins to melt over the orange-red sauce as warm steam rises. A young Korean woman in a cream knit sweater sits near a bright kitchen window and remembers a comforting Korean flavor from a past trip. She opens the cream-colored Butter Tteok package on a wooden counter, revealing the rice cakes, sauce packet, and seasoning. Show the rice cakes cooking in gently boiling water, then being coated evenly with a thick glossy sauce. Place one golden butter cube in the center and show it melting slowly while sesame seeds and herbs fall naturally over the dish. Korean narration: 「오늘은, 조금 특별한 한국의 맛.」 「여행에서 만났던 그 따뜻한 한입이 생각날 때.」 「버터 떡볶이면, 집에서도 간편하게.」 「쫄깃한 떡을 부드럽게 익히고.」 「진한 소스로 맛있게 감싸면.」 「마지막 버터 한 조각으로, 더 깊고 부드럽게.」 The woman lifts one rice cake with chopsticks, tastes it naturally, and says: 「음, 이 맛이었어!」 Transition to a cozy Korean restaurant at night. She places the Butter Tteok in the center of the table while three adult friends reach in with chopsticks. She says: 「맛있는 건 같이 먹어야지!」 End with a premium product hero shot of the cream Butter Tteok package beside a black pan filled with glossy rice cakes, melting butter, sesame, and herbs. Final Korean narration: 「간편하게 즐기는 따뜻한 행복, 버터 떡볶이.」

Create a 15-second photorealistic Korean Butter Tteok commercial using @image1 only as a visual reference for the Korean female model, Butter Tteok package, ingredients, cooking process, food styling, kitchen, restaurant, and scene progression. Convert it into continuous full-screen live-action footage. Do not reproduce the storyboard grid, panel labels, timecodes, headings, Chinese captions, borders, or graphic annotations. Open with an extreme macro shot of glossy Butter Tteok bubbling gently in a pan. A golden butter cube begins to melt over the orange-red sauce as warm steam rises. A young Korean woman in a cream knit sweater sits near a bright kitchen window and remembers a comforting Korean flavor from a past trip. She opens the cream-colored Butter Tteok package on a wooden counter, revealing the rice cakes, sauce packet, and seasoning. Show the rice cakes cooking in gently boiling water, then being coated evenly with a thick glossy sauce. Place one golden butter cube in the center and show it melting slowly while sesame seeds and herbs fall naturally over the dish. Korean narration: 「오늘은, 조금 특별한 한국의 맛.」 「여행에서 만났던 그 따뜻한 한입이 생각날 때.」 「버터 떡볶이면, 집에서도 간편하게.」 「쫄깃한 떡을 부드럽게 익히고.」 「진한 소스로 맛있게 감싸면.」 「마지막 버터 한 조각으로, 더 깊고 부드럽게.」 The woman lifts one rice cake with chopsticks, tastes it naturally, and says: 「음, 이 맛이었어!」 Transition to a cozy Korean restaurant at night. She places the Butter Tteok in the center of the table while three adult friends reach in with chopsticks. She says: 「맛있는 건 같이 먹어야지!」 End with a premium product hero shot of the cream Butter Tteok package beside a black pan filled with glossy rice cakes, melting butter, sesame, and herbs. Final Korean narration: 「간편하게 즐기는 따뜻한 행복, 버터 떡볶이.」

91:114

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Semis 2.0
Kling

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Décrivez la parole, le son ambiant et la musique comme des directions distinctes dans votre brief vidéo. La sortie audio dépend du modèle sélectionné et des options affichées dans le générateur ; vérifiez le clip terminé plutôt que de supposer que le son est inclus.

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1

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2

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3

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Choisissez un modèle activé sur la page AI Video. Examinez ses paramètres pris en charge et son devis en crédits avant de générer un clip à partir d'un texte ou d'une image.

Pour un concept produit vidéo, précisez la forme du produit, le matériau, le détail clé et le décor. Gardez les logos et les affirmations exacts, laissez de la place pour votre propre typographie, et examinez le résultat avant de l'utiliser dans une publicité.

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Rédigez votre brief vidéo autour d'une action visible. Ajoutez le décor, la taille de plan, le mouvement de caméra et l'éclairage. Gardez les dialogues et les indications sonores séparés des instructions visuelles afin que la scène souhaitée soit facile à comprendre.

Développez votre brief vidéo autour du résultat dont vous avez besoin. Gardez la direction principale spécifique, vérifiez les paramètres pris en charge dans le générateur, et examinez le travail terminé avant de l'utiliser dans votre projet.

Développez votre brief vidéo autour du résultat dont vous avez besoin. Gardez la direction principale spécifique, vérifiez les paramètres pris en charge dans le générateur, et examinez le travail terminé avant de l'utiliser dans votre projet.

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Choisissez un modèle activé sur la page AI Video. Examinez ses paramètres pris en charge et son devis en crédits avant de générer un clip à partir d'un texte ou d'une image.

Décrivez la parole, le son ambiant et la musique comme des directions distinctes dans votre brief vidéo. La sortie audio dépend du modèle sélectionné et des options affichées dans le générateur ; vérifiez le clip terminé plutôt que de supposer que le son est inclus.

Rédigez votre brief vidéo autour d'une action visible. Ajoutez le décor, la taille de plan, le mouvement de caméra et l'éclairage. Gardez les dialogues et les indications sonores séparés des instructions visuelles afin que la scène souhaitée soit facile à comprendre.

Décrivez la parole, le son ambiant et la musique comme des directions distinctes dans votre brief vidéo. La sortie audio dépend du modèle sélectionné et des options affichées dans le générateur ; vérifiez le clip terminé plutôt que de supposer que le son est inclus.

Décrivez la parole, le son ambiant et la musique comme des directions distinctes dans votre brief vidéo. La sortie audio dépend du modèle sélectionné et des options affichées dans le générateur ; vérifiez le clip terminé plutôt que de supposer que le son est inclus.

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Contrôle précis avec texte, images et guidage de cadre

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Pour votre brief vidéo, décrivez comment le sujet doit se déplacer depuis sa pose de départ. Si le modèle sélectionné prend en charge une image ou une image de fin, utilisez-la pour expliquer la composition et la continuité. Ne supposez pas que tous les types de référence sont acceptés.

Pour votre brief vidéo, décrivez comment le sujet doit se déplacer depuis sa pose de départ. Si le modèle sélectionné prend en charge une image ou une image de fin, utilisez-la pour expliquer la composition et la continuité. Ne supposez pas que tous les types de référence sont acceptés.

Rédigez votre brief vidéo autour d'une action visible. Ajoutez le décor, la taille de plan, le mouvement de caméra et l'éclairage. Gardez les dialogues et les indications sonores séparés des instructions visuelles afin que la scène souhaitée soit facile à comprendre.

Développez votre brief vidéo autour du résultat dont vous avez besoin. Gardez la direction principale spécifique, vérifiez les paramètres pris en charge dans le générateur, et examinez le travail terminé avant de l'utiliser dans votre projet.

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Vidéos prêtes à télécharger pour l'image de marque et la production créative

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Pour un concept produit vidéo, précisez la forme du produit, le matériau, le détail clé et le décor. Gardez les logos et les affirmations exacts, laissez de la place pour votre propre typographie, et examinez le résultat avant de l'utiliser dans une publicité.

Choisissez uniquement la résolution et le rapport d'aspect affichés pour le modèle sélectionné. Vérifiez le cadrage, les détails fins et tout texte dans la vidéo terminée. Une taille de sortie plus grande ne garantit pas un résultat plus précis.

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Un brief créatif plus clair pour Veo

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Listez les détails qui comptent dans votre brief vidéo : identité, forme, couleurs, vêtements et arrière-plan. Utilisez les références prises en charge le cas échéant et comparez chaque résultat ; une cohérence exacte n'est pas garantie.

Modes de production flexibles

Pour un concept produit vidéo, précisez la forme du produit, le matériau, le détail clé et le décor. Gardez les logos et les affirmations exacts, laissez de la place pour votre propre typographie, et examinez le résultat avant de l'utiliser dans une publicité.

Rédigez des directions précises d'édition et de style

Pour un concept produit vidéo, précisez la forme du produit, le matériau, le détail clé et le décor. Gardez les logos et les affirmations exacts, laissez de la place pour votre propre typographie, et examinez le résultat avant de l'utiliser dans une publicité.

Explorez des variations avec un brief ciblé

Explorez les flux de travail vidéo disponibles et comparez-le avec les pages vidéo associées. Le générateur est la source de vérité pour l'accès actuel aux modèles et les paramètres. Utilisez la bibliothèque de prompts pour étudier les résultats publiés et le modèle qui les a créés.

Choisissez un modèle activé sur la page AI Video. Examinez ses paramètres pris en charge et son devis en crédits avant de générer un clip à partir d'un texte ou d'une image.

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Donnez au sujet principal une action claire. Pour un concept vidéo, un brief précis est plus facile à évaluer qu'une liste d'effets concurrents.
Subject & Action
Subject & ActionGuide créatif Highsfield

Flux de travail vidéo Veo : questions et réponses

Pour un concept produit vidéo, précisez la forme du produit, le matériau, le détail clé et le décor. Gardez les logos et les affirmations exacts, laissez de la place pour votre propre typographie, et examinez le résultat avant de l'utiliser dans une publicité.

Cette page Highsfield explique le flux de travail vidéo. Elle vous aide à rédiger un brief ciblé et à examiner les entrées disponibles. L’accès actuel est indiqué dans le générateur ; un nom de modèle sur un guide ne signifie pas qu’il accepte actuellement des requêtes.

Rédigez votre brief vidéo autour d'une action visible. Ajoutez le décor, la taille de plan, le mouvement de caméra et l'éclairage. Gardez les dialogues et les indications sonores séparés des instructions visuelles afin que la scène souhaitée soit facile à comprendre.

Développez votre brief vidéo autour du résultat dont vous avez besoin. Gardez la direction principale spécifique, vérifiez les paramètres pris en charge dans le générateur, et examinez le travail terminé avant de l'utiliser dans votre projet.

Cette page Highsfield explique le flux de travail vidéo. Elle vous aide à rédiger un brief ciblé et à examiner les entrées disponibles. L’accès actuel est indiqué dans le générateur ; un nom de modèle sur un guide ne signifie pas qu’il accepte actuellement des requêtes.

Choisissez uniquement la résolution et le rapport d'aspect affichés pour le modèle sélectionné. Vérifiez le cadrage, les détails fins et tout texte dans la vidéo terminée. Une taille de sortie plus grande ne garantit pas un résultat plus précis.

Décrivez la parole, le son ambiant et la musique comme des directions distinctes dans votre brief vidéo. La sortie audio dépend du modèle sélectionné et des options affichées dans le générateur ; vérifiez le clip terminé plutôt que de supposer que le son est inclus.

Cette page Highsfield explique le flux de travail vidéo. Elle vous aide à rédiger un brief ciblé et à examiner les entrées disponibles. L’accès actuel est indiqué dans le générateur ; un nom de modèle sur un guide ne signifie pas qu’il accepte actuellement des requêtes.

Listez les détails qui comptent dans votre brief vidéo : identité, forme, couleurs, vêtements et arrière-plan. Utilisez les références prises en charge le cas échéant et comparez chaque résultat ; une cohérence exacte n'est pas garantie.

Choisissez uniquement la résolution et le rapport d'aspect affichés pour le modèle sélectionné. Vérifiez le cadrage, les détails fins et tout texte dans la vidéo terminée. Une taille de sortie plus grande ne garantit pas un résultat plus précis.

Rédigez votre brief vidéo autour d'une action visible. Ajoutez le décor, la taille de plan, le mouvement de caméra et l'éclairage. Gardez les dialogues et les indications sonores séparés des instructions visuelles afin que la scène souhaitée soit facile à comprendre.

Explorez votre prochaine idée de vidéo Veo

Choisissez uniquement la résolution et le rapport d'aspect affichés pour le modèle sélectionné. Vérifiez le cadrage, les détails fins et tout texte dans la vidéo terminée. Une taille de sortie plus grande ne garantit pas un résultat plus précis.

Choisissez les modèles vidéo disponibles
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